Making it Happen: The Autobiography by Carl Hester
c 2014 Orion Books: London, UK. 260 pages.
ISBN 978 1 409 14767 1
Autobiography, biography and memoir have almost always been “off” my reading list, but with an increased exposure recently to this nonfiction genre through my M.F.A. program, I have become more open minded. I picked up Making it Happen, the autobiography of Carl Hester, last fall after attending his NEDA Symposium. The book is written in Hester’s voice–and the text has the unpolished quality of someone who does not write professionally—but on the back inside cover jacket it indicates the book was co-authored by equestrian journalist Bernadette Hewitt, whom Carl affectionately refers to throughout as “Bernie”. While it is no literary masterpiece, this book delivers on its promise to tell “the incredible story of one of the world’s greatest equestrians”.
If you are looking for insight into the training techniques, horse selection criteria or the horsemanship philosophy of Hester…well, this is not your book. But if you are a person who wants to believe that someone from modest beginnings can really make it to the top of a wealth infused sport like dressage—then read on.
The opening chapter shows us Hester at the London Olympics, just moments before the British team clinches an historic gold medal on home turf. From this career high, Hester then takes readers on the journey from his youth on the Channel Island of Sark, to boarding school and on through his rise up the ranks of equestrian sport– detailing his apprenticeships, hard horses, risky gambles and sometimes tumultuous professional relationships– to become the king of British Dressage. In 2016, Hester became a five-time Olympian with his appearance in Rio; he also is or has been the coach of all the riders on both the 2012 and 2016 squads, including two time gold medalist Charlotte Dujardin, riding Hester’s own Valegro. Perhaps the story of the 2016 Games might become an appendix if there is ever an update to the 2014 edition.
At times irreverent, only vaguely self-reflective and greatly entertaining, Hester is a lively story teller. There are many, many occasions in this book where he makes reference to someone by their first name only, and I was frequently left feeling as though I had skipped a chapter or missed a page somewhere. His prose is suggestive of the one way dialogue of someone who has drank too much coffee, when the listener can do little more than nod and murmur “oh dear” or “of course” at relevant moments. In reading the chapters, I was left feeling somewhat out of breath by the rapid fire pace of transmission—but yet still felt compelled to turn the pages. Hester takes you along for the ride.
I am not one to believe that someone is inherently interesting just because they are a celebrity, and perhaps that is partially why this particular written genre has never really appealed to me. But it can be heartening for those of us in the trenches, as it were, to remember and recognize that even the greatest of riders are people too, and that we all make mistakes. In Making It Happen, Hester owns the errors of his past and reveals his moments of hubris in equal balance to those occasions in which his good choices were deliberate or he was able to stand firm to his principles despite detractors. Perhaps one of the hardest parts of writing memoir or autobiography is to reveal the warts and dark moments; in his book, Hester does not shy from them. As a both a writer and a human, I appreciated that.
I would recommend Making it Happen to any equestrian, but I think it will be the dressage enthusiast who enjoys this story the most. When the world of “penguin suited fancy prancers” can start to feel a little too much—pick this book up. And recognize that even one of the best in the world is able to not take themselves too seriously.